Rimbaud Verlaine
Location
38 boulevard de Bonne Nouvelle, 75010 Paris
Capacity 800 seats
Duration
1 hour 30 minutes
1 intermission
Details
Musical
Recommended for ages 16 and up
French with English subtitles
Highlights: Rimbaud Verlaine
Story: Rimbaud Verlaine
Reviews
Very good piece, great actors, a must see! talented artists!
Intense show, with a very nice involvement of actors/singers. The texts are rich, beautiful, and the staging transported us! Congratulations and thank you!
I didn't expect to spend such a sublime Sunday... I wasn't expecting such a good show, but what a surprise that the actors sing very well. The text is excellent. (Without spoilers) the judgment scene is perfect. Congratulations to all of you.
Beautiful lyrics and songs with a choreographed staging that transports you into the world of poets. Bravo, I spent a while being transported.
Théâtre du Gymnase Marie Bell
History and Fun Facts about Théâtre du Gymnase Marie-Bell
Located at 38 Boulevard de Bonne-Nouvelle in Paris’s 10th arrondissement, the Théâtre du Gymnase Marie-Bell is a venue steeped in history. Listed as a historical monument since 1994, it boasts a rare gem in the capital: a true open-air terrace in the heart of Paris.
Inaugurated in 1820, the theatre was originally conceived as a training ground for young actors—a kind of “gymnasium” for the mind. From the outset, it introduced a unique constraint: classical repertoire plays were to be condensed, sometimes lasting only a single scene.
Under the leadership of Adolphe Lemoine, known as Montigny, from 1844 onwards, the theatre shifted towards social drama and sentimental theatre. This era welcomed some of literature’s greatest voices: Balzac, George Sand, Émile Augier, Alexandre Dumas père and fils, Victorien Sardou, Meilhac and Halévy. In 1860, Eugène Labiche’s Le Voyage de Monsieur Perrichon premiered there to great success.
From 1926, Henry Bernstein took over the direction and staged many of his own plays, including Samson, Mélo, and La Galerie des Glaces. In 1940, Paule Rolle succeeded him, opening the stage to works by Jean Cocteau (Les Parents terribles), Marcel Pagnol, Sacha Guitry, and Jean Genet (Le Balcon, directed by Peter Brook in 1960).
The tragic actress Marie Bell, who became legendary for her portrayal of Phèdre, ran the theatre from 1962 to 1985, giving it her name. She championed classical theatre, in a space redesigned in the late 19th century by painters Rubé, Chaperon, Compan and Plumet. The ceiling they created represents allegories of the seasons.
A notable anecdote: in 1824, the theatre received the patronage of the Duchess of Berry, earning it the title “Théâtre de Madame.” It was also one of the first Parisian theatres to adopt gas lighting, as early as 1823.
The Gymnase Marie-Bell remains a treasured theatrical landmark, where the voices of Sarah Bernhardt, Jean Marais and many other greats of French theatre once echoed.
One of the theatre’s most incredible features? A stunning terrace—an unexpected oasis in central Paris. The perfect spot for summer evenings, it comes to life after sunset with a chic, relaxed atmosphere. Refreshing cocktails, captivating DJ sets, and an unbeatable view of Parisian rooftops set the scene for extending the magic of the show. Whether before or after the performance, the terrace transforms into a festive and friendly space where you can truly savour the moment. A well-kept secret for unforgettable summer nights, just steps from the Grands Boulevards.
A theatre well worth going out of your way for!
Fast Facts
Capacity: 780
Handicap accessible: Yes, please let us know at hello@theatreinparis.com so that we can inform the theatre and ensure they welcome you under the best possible conditions.
Air conditioning: Yes
Heating: Yes
Coat check: Yes, paid service
FAQ
It says that this show is not recommended for children under 16. What does that mean?
While this show is about two of the most famous poets in history, some scenes may be innappropriate for children under 16 years old, parental discretion is advised.
Is it a show for travellers or French people?
Both! the show Rimbaud Verlaine is meant to provide all audience members with an unforgettable experience. Spectators will get the opportunity to experience the wonderful yet disparaging lives of both these poets.
Where will I be seated, and will I see the subtitles properly?
There are three categories available, each of which provides a comfortable view of the subtitles. The theatre is a French style auditorium, which means that all seats face the stage and Theatre in Paris guests are centrally placed to have an optimal view of the stage and subtitles.
Does the venue have a specific dress code?
Feel free to have a little fun and dress to impress. Many Parisians will arrive directly from work, dressed in casual chic attire. Generally, we advise you to dress in comfortable and smart casual apparel. Shorts, Bermuda shorts, flip-flops, sportswear and trainers are discouraged.
Can I take photos of the performance?
In order not to disturb the artists on stage, and for the comfort of other guests, you are not permitted to photograph, film or record the performance for the duration of the show. As long as the performance is not currently in session, feel free to take a snapshot of the wonderful venue to remember your night out!
How do I get to the theatre?
Théàtre du Gymnaseis accessible by lines 8 and 9, and the closest metro station is Bonne- Nouvelle. The theater can also be reached through bus lines 20, 39, and 48. Our hotline can be reached in case of difficulty from 10 am to 7pm Paris time. For details, we invite you to consult the map below.
What do I do when I get to the theatre?
We invite you to arrive 30 minutes before the beginning of the show and present your voucher at the front desk. The theater's English-speaking staff members will guide you to your seats.
Subtitles or “surtitles”?
Surtitles (also called supertitles) are the theatre equivalent of subtitles or as others may know it, captioned performances. That’s because in French “sur” means “above”. At the Théâtre Le Ranelagh, the text is projected above the stage. Read more about surtitles here.

