Hiroshi Sugimoto & William Forsythe
Place de l’Opéra 75009 Paris
Capacity 1900 seats
1 hour and 30 minutes
Recommended for all ages
This unique contemporary piece combines two renowned artists of different mediums into one incredible performance. A leading figure of contemporary photography, Japanese visual artist Hiroshi Sugimoto sounds out a changing world and explores the passage of time. Invited for the first time to the Paris Opera, he is joining forces with the choreographers Alessio Silvestrin and William Forsythe for a new production.
Indulge in the Theatre in Paris Deluxe Opéra Package, an exclusive ticket package available even after standard sales for the opera are closed. Deluxe tickets come with a show programme, a glass of champagne upon your arrival at the venue, and exclusive access to the Opéra Garnier's beautiful Salon Liebermann, reserved for primary ticket holders. A result of our official partnership with the Friends of Paris Opera Association, the package can only be purchased via the Theatre in Paris box office.
Set to a selection of songs by the composer James Blake, the performance is divided into 2 portions, At the Hawk's Well, after William Butler Yeats, and Blake Works I, Forsythe’s latest original piece created for the Paris Opera Ballet. His inimitable signature is omnipresent in this work which stands out for its speed and energy, a unique opportunity at the crux of photography and choreographic talent.
Opéra Palais Garnier
One of the most prestigious stages in all of France, the Palais Garnier was constructed from 1860 to 1875, designed by legendary architect Charles Garnier, who was selected among a handful of talented architects in a fierce design competition. The building itself is considered a artful masterpiece, and was one of the most expensive construction projects to come from the Second French Empire under the reign of Napoléon III. The elaborate use of different materials to lend a lavish multicolored facade was typical of many of the works under the rule of Napoléon III, and features sculptures of various figures of Greek mythology. The official inauguration in 1875 was attended by the Mayor of London and Amsterdam, the King Alphonso XII of Spain, and hundreds of members from European high society.
The interior was meticulously designed with intertwining corridors, alcoves and landings to allow for easy movment of large numbers of people; complete with a grand marbled staircase and the grand foyer, acting as the drawing room for all of Paris high society and covered in gilded paintings. The auditorium itself is in a traditional Italian horseshoe shape, seating 1900. The stage is the largest in Europe and can accomodate 450 artists, revealed by the opening of the legendary painted curtain. Garnier himself designed the 7-tonne chandelier sparkling above the audience. In 1896, one of the many chandelier counterweights broke free and killed a concierge, the incident that inspired the scenes in the 1910 novel-turned-musical The Phantom of the Opera. The space above the audotorium in the copula dome was once used strictly for cleaning the chandelier, but has since been transformed into a space for opera and dance rehersals.
The legendary building was initially deemed the Academie Imperiale de Musique, yet with the fall of the Second Empire and the start of the Third Republic, this was aptly changed for the Academie Nationale de Musique, which we see written across the exterior facade to this day. Garnier envisioned his design and the transformation of the surrounding area, and to this day the opulence of the Second Empire lives on in this living monument. The avenue de l'Opéra remains the only large Parisian corridor without trees, as Garnier explicitly prevented Hausmann from adorning the street with trees, arguing that his Palais Garnier was to be the main focus. Palais Garnier became the official name in 1989 with the construction of the Opéra Bastille, and the venue now houses primarily ballets.
How do I get to the theatre?
The theatre is accessible by the metro station Opéra (Lines 3, 7, 8 and RER A). Our hotline can be reached in case of difficulty finding the theatre weekdays from 10 am to 7pm Paris time. For details, we invite you to consult the map above.
What do I do when I get to the theatre?
We invite you to arrive 20 minutes before the beginning of the show, and present your voucher at the front desk. The theatre's English-speaking staff members will guide you to your seats. Please note that the performances at the Palais Garnier begin precisely on time, and all late arrivals will not be permitted to enter the auditorium until intermission.
How long does the show last?
The show lasts one hour and thirty minutes, including one intermission.
Does the venue have a specific dress code?
For Parisian operas and ballets, the dress tends to be a bit fancier than in other venues, so feel free to have a little fun and dress to impress. Many Parisians will arrive directly from work, dressed in casual chic attire. Generally, elegant casual wear is required, jackets are recommended for men. Shorts, Bermuda shorts, flip-flops, sportswear and trainers are discouraged.
Is there a coat check available?
Free cloakrooms are available on various floors of the theatre. Travel bags and suitcase are not allowed.
Can I take photos of the performance?
In order not to disturb the artists on stage, and for the comfort of other guests, you are not permitted to photograph, film or record the performance for the duration of the show. As long as the performance is not currently in session, feel free to take a snapshot of the wonderful venue to remember your night out!
What is included with my tickets?
A dedicated show programme, a complimentary glass of champagne, and exclusive access to the beautiful Salon Liebermann is included with your tickets.
Where do I collect my show programme and champagne?
At the Opéra Garnier, you can collect your included show programme in the main store, at the programme stand in the entry hall, or at the programme stand at the bottom of the Grand Staircase.
You can choose to enjoy your champagne or desired beverage before the performance or during intermission at any of the public bars or in the exclusive Salon Liebermann. The Salon is located on the right-hand side of the Grand Foyer, behind the fireplace.