13 boulevard de Strasbourg, 75010 Paris
Capacity 550 seats
1 hour and 30 minutes
Suitable for all ages
In French with no surtitles
A breath of French culture awaits you at the La Scala Theatre. Jean Racine, one of the most famous French playwrights, along with Corneille and Molière, is back on stage with Bérénice, his tragedy written in 1670 in the French alexandrine poetic style, which combines a torturous mix of love and political necessity. Come and discover this very French play in the great tradition of classical theatre, that respects the unity of place, time, and action. You will enjoy beautiful text and declamation with the sublime Carole Bouquet in the lead role!
In Rome, Titus, the emperor, and Bérénice, queen of Palestine, are in love. Antiochus, Titus' best friend, is also fond of the beautiful queen. Dreadfully, the Senate announces to the emperor that the Romans refuse to accept a foreigner as empress. Titus, not having the strength to announce this sad news, entrusts Antiochus with this mission. Does Bérénice escape? Will she succumb to the emperor's friend? The suspense remains. Come and discover the amazing theatre piece, Bérénice, at La Scala!
History and Fun Facts about La Scala
Wedged between hair salons and trendy vintage stores in Paris’ 10th Arrondissement, La Scala is a newly renovated “café-concert hall” hosting a wide variety of entertainment including theatre, dance, concerts, and circus performances. Once the first major English-style music hall in France, now remade with state of the art modular technology, the venue has undergone multiple makeovers since it first opened its doors in 1873. It made its humble debut as a Parisian “guinguette”, an intimate meeting place for drinking and dancing, but later evolved into a concert hall, theatre venue, and finally an art deco cinema. Perhaps the strangest chapter of La Scala’s history came in 1999, when it was purchased by the Universal Church of the Kingdom of God, who envisioned the venue as a meeting place for a religious cult. But the neighbors protested and Paris’ city of council refused to give the church permission for its plans. La Scala was closed, lying derelict for 16 long years.
Then in 2016, the space was purchased by a pair of seasoned theatre producers. They transformed the space into a 550-seat modular theatre with technology to support the full range of performances they imagined for the space. Both auditorium and restaurant feature design from scenographer Richard Peduzzi, the man behind the Milan Scala, an opera house which has hosted nearly every great Italian opera singer since 1778. Inspired by this long heritage, Paris’ own imitation is now a gem of the city’s theatre scene with an impressively diverse programme of shows.
Handicap Accessible: Yes, though please contact us beforehand to ensure you get the best place.
Air conditioning: Yes