L'Après-midi d'un Faune & L'Enfant et les Sortilèges

L'Après-midi d'un Faune

LOCATION

Opéra Palais Garnier
Place de l’Opéra 75009 Paris
Capacity : 1900 seats

DURATION

1 hour 5 minutes

No intermission


DETAILS

Opera & ballet

Recommended for all ages

French with English & French subtitles


HIGHLIGHTS

An evening devoted to two of the most illustrious French composers: Debussy and Ravel. A unique opportunity to see two incredible pieces together on stage.

 

Indulge in the Theatre in Paris Deluxe Opéra Package, an exclusive ticket package available even after standard sales for the opera are closed. Deluxe tickets come with a show programme, a glass of champagne upon your arrival at the venue, and exclusive access to the Opéra Garnier's beautiful Salon Liebermann, reserved for primary ticket holders. A result of our official partnership with the Friends of Paris Opera Association, the package can only be purchased via the Theatre in Paris box office.

STORY

Guided by her perpetual fascination for the relationship between pure movement and music, Anne Teresa De Keersmaeker takes up Prélude à l’après‑midi d’un faune with the dancers of the Rosas Company. The performance continues with L’Enfant et les sortilèges, a tale written by Colette and finely orchestrated by Ravel. In Richard Jones and Antony McDonald’s production, the singers of the Academy suffuse this work with the freshness of youth.

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Opéra Palais Garnier

Place de l’Opéra 75009 Paris

One of the most prestigious stages in all of France, the Palais Garnier was constructed from 1860 to 1875, designed by legendary architect Charles Garnier, who was selected among a handful of talented architects in a fierce design competition. The building itself is considered a artful masterpiece, and was one of the most expensive construction projects to come from the Second French Empire under the reign of Napoléon III. The elaborate use of different materials to lend a lavish multicolored facade was typical of many of the works under the rule of Napoléon III, and features sculptures of various figures of Greek mythology. The official inauguration in 1875 was attended by the Mayor of London and Amsterdam, the King Alphonso XII of Spain, and hundreds of members from European high society.

 

The interior was meticulously designed with intertwining corridors, alcoves and landings to allow for easy movment of large numbers of people; complete with a grand marbled staircase and the grand foyer, acting as the drawing room for all of Paris high society and covered in gilded paintings. The auditorium itself is in a traditional Italian horseshoe shape, seating 1900. The stage is the largest in Europe and can accomodate 450 artists, revealed by the opening of the legendary painted curtain. Garnier himself designed the 7-tonne chandelier sparkling above the audience. In 1896, one of the many chandelier counterweights broke free and killed a concierge, the incident that inspired the scenes in the 1910 novel-turned-musical The Phantom of the Opera. The space above the audotorium in the copula dome was once used strictly for cleaning the chandelier, but has since been transformed into a space for opera and dance rehersals.

 

The legendary building was initially deemed the Academie Imperiale de Musique, yet with the fall of the Second Empire and the start of the Third Republic, this was aptly changed for the Academie Nationale de Musique, which we see written across the exterior facade to this day. Garnier envisioned his design and the transformation of the surrounding area, and to this day the opulence of the Second Empire lives on in this living monument. The avenue de l'Opéra remains the only large Parisian corridor without trees, as Garnier explicitly prevented Hausmann from adorning the street with trees, arguing that his Palais Garnier was to be the main focus. Palais Garnier became the official name in 1989 with the construction of the Opéra Bastille, and the venue now houses primarily ballets.